Studio Microphone Prices in Nigeria

Condenser microphones are considered the most versatile studio microphones and can be used to record essentially any instrument. They are well, somewhat more fragile and sonically sensitive than dynamic mics, and they require a small electrical current to operate, so they are less popular in the live setting.

In the early days of recording, microphones were prohibitively expensive. Only high-priced production studios owned the best models, and the models available to consumers left a good deal to be desired.

Over a period of decades, that model changed significantly, and today there is a massive array of quality microphones available for home recorders. Whether you have a total recording budget in the hundreds of dollars or the full thousands of dollars, there are top quality microphones available to you.

Studio microphones aren’t just used in the studio anymore. They are used for all kinds of purposes. From traditional studio recording to recording podcasts and even short films.

Let’s not forget the fact that many people have turned to virtual meetings these days because of the pandemic.

So how much does a studio microphone cost in Nigeria? We will answer this question in this post. Let’s get straight to it.

Prices of Studio Microphones in Nigeria

Once upon a time, we only had a particular type of studio microphones. These days, there are so many styles out there to suit different recording purposes. The good news is that most of these microphones are very affordable as you will see in this section.

Now, to answer the question of the prices of studio microphones in Nigeria, we have a list for you. We have combed the market to check out different kinds of studio microphones from different vendors.

In this section, you will check out the most popular, their specifications, and their prices. Let’s get started.

BM800 Professional Suspension Microphone Kit Studio Live – N13,000 – N14,500

Details

• Equivalent Noise Level: 16dBA
• Frequency Response: 20Hz-20 KHz
• Load Impedance: >=1000Ω
• SPL: 130dB
• Microphone Color: Black and Gold, Black and Silver, Gold, Red and Silver, Silver (Optional)
• Microphone Material: Steel and Zinc Alloy
• Output Impedance: 150Ω±30% (at 1 kHz)
• Polar Pattern: Unidirectional
• Sensitivity: -34dB±2dB (0dB=1V/Pa at 1 KHz)
• Shock Mount Material: Plastics

Fifine K669B Condenser Microphone Boom USB Studio Recording Mic – N28,000 – N34,000

Details

• Plug and play USB recording
• Solid metal construction
• Additional volume knob
• Cardioid polar pattern condenser
• One tripod stand
• One pivot mount
• Instruction manual
• USB cable connector

Andoer EY-510A Mini Portable Clip-on Lapel Mic Wired Microphone – N1,900 – N3,000

Details

• Cable Length: 145cm / 4.7ft
• Color: Black
• Frequency range: 20Hz-16 KHz
• Item Weight: 20.5g / 0.72oz
• Model: EY-510A
• Package Size: 11 x 4 x 2cm /4.3 x 1.6 x 0.8″
• Package Weight: 25g / 0.88oz
• Plug socket: 3.5mm
• Sensitivity: -30dB +/-2dB RLL=2.2k Ohm VS=3V
• Type: Condenser Microphone

Microphone BM 800 Condenser Microphone Studio Sound Recording Mic + Free Sound Card – N11,000 – N15,000

Details

• Anti-wind foam cap
• 5mm audio cable
• Shock mount
• Unidirectional
• Cardioid pickup pattern
• Plug and play, doesn’t require additional software.

USB Condenser Microphone Set With Desk Mounting Clamp – N8,000 – N11,000

Details

• Filter
• Foam Windscreen
• Scissor Arm Stand
• Shock Mount
• Table mounting Clamp
• USB Cable
• User Manual
• Directivity: Cardioid pickup pattern
• Frequency Response: 30HZ-20KHZ
• Microphone
• Microphone Size: 5.6 x 4.8 x 4.8cm/ 2.2 x 1.8 x 1.8 inch
• Microphone Weight: 223g/ 7.86oz
• Package Size: 42.5 x 17.6 x 7.6cm/ 16.7 x 6.9 x 2.9 inch
• Package Weight: 1.205kg/ 2.6lbs
• Sample Rate: 192 KHz/24Bit
• Scissor Stand Size: 40 x 36.5cm/ 15.7 x 14.3 inch
• Scissor Stand Weight: 333g/ 11.72oz
• Sensitivity: 25mV/Pa (-42dB±3dB)
• Supply Mode: USB DC5V supply

BM800 Professional Suspension Microphone Kit Studio Live – N17,000 – N21,000

Details

• Acoustic Filter
• Mic Stand
• Microphone Color: Black + Gold,
• Microphone Cord
• Microphone Cover
• Microphone Material: Steel + Zinc Alloy
• Polar Pattern: Uni-directional
• Shock Mount
• Shock Mount Material: Plastics
• USB Sound Adapter

Premium Quality BM800 Studio Condenser Microphone – N25,000 – N35,000

Details

• Audio cable length: 2.5m
• Current: 3
• Equivalent noise level: 16 dB
• Frequency response: 20 hz-20khz
• Load impedance: ≥1000Ω
• Microphone Material: steel mesh and zinc alloy tube
• Microphone output interface: 3.5 mm
• Microphone size: 165 mm long, handle 42 mm (diameter), head 47 mm (diameter)
• Output impedance: 150Ω ± 30% (1 kHz)
• Sensitivity: 45 dB ± 1 dB
• Signal to noise ratio: 78 decibels
• Use of voltage 48V ghost power supply

4 Pcs BM800 Dynamic Condenser Microphone Mic Sound Studio Recording Kit – N4,000 – N7,000

Details

• Electrical current: 3mA Microphone
• Impedance: 150Ω ± 30% (at 1 kHz)
• Load impedance: ≥1000 Ω Equivalent
• Material: Steel net Zinc alloy
• Noise level: 16dBA
• Polar Pattern: unidirectional Frequency
• Response: 20Hz-16 kHz
• Sensitivity: -38dB±2dBOutput

What Are the Best Types of Microphones for Home Studio Recording?

There are three main types of microphones used in recording: dynamic microphones, condenser microphones, and ribbon microphones.

Dynamic microphones

This will be the most familiar model to most music fans. They’re the vocal mics you see at the front of the stage at most rock concerts. Audio engineers value them for being rugged and able to handle extremely high volumes.

Condenser microphones

These are considered the most versatile studio microphones and can be used to fully record essentially any instrument. They are somewhat more fragile and sonically sensitive than dynamic mics, and they require a small electrical current to operate, so they are less popular in the live setting.

Ribbon microphones

These types utilize a very old technology: they produce sound as audio waves encounter a moving ribbon inside the mic. Like condensers, they require external power. They also have a reputation for being fragile.

Many vintage ribbon mics cannot handle high volumes; the sound waves will literally break the ribbon. Today’s models are much more versatile and are beloved by studio engineers who value an extremely detailed sound palette.

What Are Good Dynamic Microphones for Home Recording?

If you’re just starting out in recording, dynamic microphones often provide the best value. They’re sturdy and don’t require extra power. They don’t produce as “textured” a sound as condenser and ribbon microphones, but they’re still ideal for many applications. Some models to consider include:

Shure SM57 and SM58.

These are essentially the same microphone with a different head (the 57 has a flat head and the 58 has a round head). They cost roughly $100 new and are the industry standard for live performance.

SM58

This is the standard issue “vocal mic” and you see it in concert venues all over the world. The SM57 also works on vocals, but it’s usually used to mic instruments, like drums or guitar amplifiers.

Shure SM7.

Much larger than a 57 or 58 with a more bass-focused soundstage. These microphones are particularly popular for vocals—especially spoken narration and heavy rock vocals.

Sennheiser e609

Sennheiser is a trusted and popular audio company based in Germany. The e609 is designed for recording electric guitar amps, but it can be used for a variety of applications.

What Are Good Condenser Microphones for Home Recording?

Condenser microphones are studio mainstays for mic-ing both vocals and instruments, but be aware that they will require an external power source and almost always cost more than a comparable dynamic microphone. Some recommended models include:

Audio-Technica AT4040

At roughly $400, this large diaphragm condenser microphone can mimic the sounds of something ten times the price, provided that you pair it with a preamp and a bit of engineering skill.

Blue Microphones Bluebird SL

Blue is relatively new to the market but has built a dedicated following. This microphone is in the same price range as the Audio-Technica and can record pretty much anything.

Sennheiser MD421

Also in the league of the Audio-Technica and the Blue units. Sennheiser is a famous German company that some audiophiles swear by.

Rode NT5

The Rode NT5 is a small diaphragm condenser microphone, which makes it good for recording instruments. Many engineers use a pair of NT5s as overhead mics on a drum kit, or to capture the sound of an entire room.

If you can stretch your budget, there is a wide array of high-end condenser mics that bring a pro studio experience into your home.

AKG C414

These microphones, which are often used in stereo pairs, can do pretty much anything. They’re equally popular as a vocal microphone and an instrumental microphone. You can select many shapes for the C414’s recording field, from cardioid to omni-directional to figure-8.

And while they certainly aren’t cheap, they can be paired with a good preamp and sound like top-of-the-line microphones.

Neumann U87

If money is no object, look no further than the Neumann U87. The level of detail it can pick up is truly remarkable. But make sure to use it in a truly silent room; otherwise you’ll be accidentally picking up the sound of a car driving by half-a-block away. The U87 is that sensitive!

What Are Good Ribbon Microphones for Home Recording?

Ribbon microphones can produce brilliant sound and are great for mic-ing everything from vocals to acoustic guitars to amplifiers. But they’re expensive and some vintage models are quite temperamental.

They require external power for their motorized ribbons and really high-decibel sounds can snap those ribbons. Like a high-end condenser, a ribbon mic picks up a massive amount of detail. Two choices are:

Royer R-121

The industry standard, and considered quite stable for a ribbon mic. However, expect to pay over $1,200 per microphone (and note that they’re often used in pairs).

Cascade FAT HEAD

A comparatively affordable alternative to the Royer R-121. Expect to pay $400 for a pair.
You will also need microphone cable (with XLR connectors) as well as stands for all of your microphones.

For mics that require external power, most recording interfaces have a phantom power option that sends a small amount of electricity along an XLR cable. This will provide more than enough juice to power your microphone.

The exception might be some vintage mics (particular ribbon mics) that have their own power cables. But those are extremely rare on today’s market.

Other optional accessories include a pop filter (to block plosives when recording vocals) and an XLR-to-USB cable that lets you plug your microphone directly into your computer’s USB port. But most serious engineers plug their microphones into a digital audio interface using XLR cables. From there they send the signal to the computer via USB.

Studio Microphone Distributor Contact in Nigeria

Contact : 0705 397 7576 / 0812 455 8354